Pixar spent nearly three years developing two unique software systems for Merida’s hair: one program coordinated the movement of 1,500 separate curls, the other created a seamless relationship between Merida’s hair and her movements.
need to see if just for hair because that’s a lot of fucking effort for hair
do you think there was a point in production where they were just like
FUUUUUUUUUUUUUUUUCK WHY DID WE DO THIS
the fact that her curls are life-like and frizzy and not curly at all in some places is pretty impressive, especially in the commercials I’ve seen.
I’ve been on the fence about seeing this one, but I wanna see this in action.